Nauman pays homage both to Watt's way of walking and to the similarly awkward, unbalanced gait of Molloy in his Slow Angle Walk (Beckett Walk) of 1968. In this piece, Nauman videotaped himself walking slowly and with awkward precision around a track marked out on the studio floor. As he walks, arms behind him, he lifts his leading leg high before him and, as it lands, lifts his following leg high in the air behind. The unbalancing of the walk is doubled by the fact that Nauman taped the movements with the camera on its side, so that he appears to be walking up a wall, gravityless.

Another summary may be found at the Electronic Arts Intermix site:

A fixed camera turned on its side records Nauman repeating for nearly an hour a laborious sequence of body movements inspired by passages in works by Samuel Beckett that describe similarly repetitive and meaningless activities. Hands clasped behind his back, he kicks one leg up at a right angle to his body, pivots forty-five degrees, falls forward hard with a thumping noise, extends the rear leg again at a right angle behind, and begins the sequence again. As in many of his fixed-camera film and video works, parts of Nauman's body disappear from the frame as he moves close to the camera; occasionally, he walks off-screen completely while the sound of his footsteps continues on the sound tracks.